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Celestial Sounds: Japanese Sacred Court Music and Recent Reverberations

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March 24, 2006 (Friday)

5:30 – 7:30PM

The President’s Room, Faculty House, Columbia University


Performed by the renowned Japanese gagaku musicians:

Hitomi Nakamura – hichiriki

Mayumi Miyata – shō

Takeshi Sasamoto – ryūteki


with commentary by Professor Naoko Terauchi


and New York artists

Marie Dalby – viola da gamba

Nancy Kito – harpsichord



Part I: The Classical Sound of Gagaku Music


Presented in an abbreviated ensemble of three wind instruments, ryūteki, hichiriki, and shō.


Hyōjō no chōshi


Etenraku

Demonstration of Instruments with Commentary

Somakusha

Tuning section (netori)

Free-rhythm prelude (jo)

Unfolding (ha)



Part II: Contemporary Music for Gagaku Instruments


Ryūteki solo Takeshi Sasamoto

Tsuki no shita nite (Under the Moon) (1992)

by Takeshi Sasamoto


Hichiriki solo Hitomi Nakamura

Finalé with an Etude-like Cadenza”

from Bōkyō (Longing for Home) (2003)

by Eikichi Kiyomoto


Shō solo Mayumi Miyata

Senkō-hana-bi (1997)

by Robert HP Platz (1951~)



World Premier

Koyomi (Almanac) for shō, harpsichord, and viola da gamba (2006)

by Hiroya Miura (1975~)



]Life[ for shō, hichiriki and glass chimes (2004)

by Gerhard Stäbler (1949 ~)


See photos of the event

 

© 2012 Institute for Medieval Japanese Studies