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| Celestial Sounds: Japanese Sacred Court Music and Recent Reverberations |
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March 24, 2006 (Friday) 5:30 – 7:30PM The President’s Room, Faculty House, Columbia University
Performed by the renowned Japanese gagaku musicians: Hitomi Nakamura – hichiriki Mayumi Miyata – shō Takeshi Sasamoto – ryūteki
with commentary by Professor Naoko Terauchi
and New York artists Marie Dalby – viola da gamba Nancy Kito – harpsichord
Part I: The Classical Sound of Gagaku Music
Presented in an abbreviated ensemble of three wind instruments, ryūteki, hichiriki, and shō.
Hyōjō no chōshi
Etenraku
Demonstration of Instruments with Commentary
Somakusha Tuning section (netori) Free-rhythm prelude (jo) Unfolding (ha)
Part II: Contemporary Music for Gagaku Instruments
Ryūteki solo Takeshi Sasamoto Tsuki no shita nite (Under the Moon) (1992) by Takeshi Sasamoto
Hichiriki solo Hitomi Nakamura “Finalé with an Etude-like Cadenza” from Bōkyō (Longing for Home) (2003) by Eikichi Kiyomoto
Shō solo Mayumi Miyata Senkō-hana-bi (1997) by Robert HP Platz (1951~)
World Premier Koyomi (Almanac) for shō, harpsichord, and viola da gamba (2006) by Hiroya Miura (1975~)
]Life[ for shō, hichiriki and glass chimes (2004) by Gerhard Stäbler (1949 ~) |
© 2012 Institute for Medieval Japanese Studies